Dennis is joined by singer-actor David Burnham to talk about his new cabaret show Burnham Sings Buble, in which he interprets the music of Michael Buble, singing hits like "Home" and "Everything" along with more obscure Buble gems. David also talks about his previous touring show, a tribute Tom Jones, which, in true Tom Jones fashion, featured pants so tight David almost passed out. David also talks about his career in musical theater, from being plucked from nowhere at 19 to take over for Donny Osmond in the national tour of Joseph and the Amazing Technicolor Dreamcoat, to appearing in the original cast of Light in the Piazza to finally getting to play Fiero in Wicked on Broadway after originating the role in the workshop productions and being passed over for the original Broadway cast. Other topics include: the moment he first realized he could sing, why the Elvis song "Blue Christmas" takes him back to a sixth grade kiss with a girl in the Sunday School room, the song that makes him emotional every time he sings it, the rude awakening he got after finishing the Joseph tour when couldn't get arrested in New York, having to go on as Matt Morrison's understudy in Piazza on opening weekend and not even knowing the blocking and that time the crazy heckler in the front row of Joseph turned out to be Donny Osmond.

https://www.davidburnham.com/

Show Notes

Dennis is joined by singer-actor David Burnham to talk about his new cabaret show Burnham Sings Buble, in which he interprets the music of Michael Buble, singing hits like "Home" and "Everything" along with more obscure Buble gems. David also talks about his previous touring show, a tribute Tom Jones, which, in true Tom Jones fashion, featured pants so tight David almost passed out. David also talks about his career in musical theater, from being plucked from nowhere at 19 to take over for Donny Osmond in the national tour of Joseph and the Amazing Technicolor Dreamcoat, to appearing in the original cast of Light in the Piazza to finally getting to play Fiero in Wicked on Broadway after originating the role in the workshop productions and being passed over for the original Broadway cast. Other topics include: the moment he first realized he could sing, why the Elvis song "Blue Christmas" takes him back to a sixth grade kiss with a girl in the Sunday School room, the song that makes him emotional every time he sings it, the rude awakening he got after finishing the Joseph tour when couldn't get arrested in New York, having to go on as Matt Morrison's understudy in Piazza on opening weekend and not even knowing the blocking and that time the crazy heckler in the front row of Joseph turned out to be Donny Osmond.

https://www.davidburnham.com/

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