In this special Tonys week episode, Dennis is joined via Zoom by Broadway producer Jeffrey Seller to discuss his book Theater Kid: A Broadway Memoir, which documents his journey from a childhood of family dysfunction and always feeling like an outsider to thriving as a Broadway producer with four Best Musical Tonys to his credit (Rent, Avenue Q, In the Heights and Hamilton). Jeffrey talks about why he decided to write the book, the elementary school teacher who saw what was special in him, always having the self belief to take big swings and confessing his love to his college best friend, who happened to be future Broadway composer Andrew Lippa. He also recalls an early workshop of Tik Tik...Boom! where he was exposed to the work of Jonathan Larson for the first time. He was so knocked out he wrote Larson a long, passionate letter, which led to Seller producing Rent five or so years later. He recalls being similarly knocked out by Lin-Manuel Miranda's talent at an early workshop of In the Heights. Other topics include: the current renaissance of new musicals on Broadway, why he chose to write so frankly about sex in his book, that time his process server father decided he wanted to become a circus clown, what it was like to start making really good money after growing up poor in a neighborhood of Detroit known as "Cardboard Village," the year his underdog puppet musical Avenue Q beat out Wicked for Best Musical, what Hamilton represents during the second Trump administration, Jonathan Larson's tragic and untimely death just as Rent was about to explode on the scene, what Larson's parents told him on the night after they lost their son and much, much more.

Show Notes

In this special Tonys week episode, Dennis is joined via Zoom by Broadway producer Jeffrey Seller to discuss his book Theater Kid: A Broadway Memoir, which documents his journey from a childhood of family dysfunction and always feeling like an outsider to thriving as a Broadway producer with four Best Musical Tonys to his credit (Rent, Avenue Q, In the Heights and Hamilton). Jeffrey talks about why he decided to write the book, the elementary school teacher who saw what was special in him, always having the self belief to take big swings and confessing his love to his college best friend, who happened to be future Broadway composer Andrew Lippa. He also recalls an early workshop of Tik Tik...Boom! where he was exposed to the work of Jonathan Larson for the first time. He was so knocked out he wrote Larson a long, passionate letter, which led to Seller producing Rent five or so years later. He recalls being similarly knocked out by Lin-Manuel Miranda's talent at an early workshop of In the Heights. Other topics include: the current renaissance of new musicals on Broadway, why he chose to write so frankly about sex in his book, that time his process server father decided he wanted to become a circus clown, what it was like to start making really good money after growing up poor in a neighborhood of Detroit known as "Cardboard Village," the year his underdog puppet musical Avenue Q beat out Wicked for Best Musical, what Hamilton represents during the second Trump administration, Jonathan Larson's tragic and untimely death just as Rent was about to explode on the scene, what Larson's parents told him on the night after they lost their son and much, much more.

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